MUMBAI (Reuters) – Bollywood is broken and it has itself to blame. Ticket sales have tumbled in Indian cinemas during the COVID-19 pandemic, and the industry has struggled to adapt to consumer tastes and the rise of streamers like Netflix (NFLX.O).
It can survive but it will have to change.
When most Westerners think of Bollywood movies, they likely picture musical romances starring the likes of Shah Rukh Khan and Kajol. While these are certainly staples of the genre, Bollywood has grown to include many more types of films as well.
For instance, filmmakers such as Anurag Kashyap have pushed for a shift to realism in Hindi-language cinema. However, it remains to be seen whether this trend will gain traction with audiences.
It’s important to remember that Bollywood is a global industry. This is especially true as the film market continues to grow in China and other parts of the world. As a result, Bollywood must continually evolve and adapt to meet the needs of these new markets.
In addition to shifting trends, Bollywood is also facing challenges with censorship and social themes. Ghum Hai KisiKey Pyaar Meiin Written Update has been particularly true in China, where a number of Indian films have struggled to pass the country’s strict censorship laws. Despite these challenges, many Indian filmmakers remain hopeful that the market in China will eventually open up for them.
The film industry of India is called Bollywood, which is a combination of the names of Hollywood and Bombay (formerly Mumbai). It is the largest film sector in the world and is known for its music and dance. Bollywood is a major cultural force and has had a significant impact on the world.
Founded in 1932 by Dadasaheb Phalke, Bollywood is the oldest Indian film industry and is currently the world’s biggest film producer. It is estimated that the film industry generates more than $2 billion in revenue each year.
While most Hollywood films are filmed in Los Angeles and other cities around the world, Bollywood films are primarily shot in Mumbai, India. The industry is governed by the Film and Entertainment Industry Development Authority of India, which sets production standards for Indian films.
The film industry is dominated by stars, who are often referred to as the “Kings of Bollywood.” These actors can earn millions of dollars per movie and have a huge influence on box office ticket sales. Despite this, the industry is changing as more female directors and writers enter the field. These filmmakers are reshaping Bollywood’s narrative by addressing social issues such as feminism and wealth inequality.
For a show about young graduates at a financial firm, Industry (HBO/BBC Two) takes a pretty old-school approach to the world it inhabits. Rather than the lacquered sheen that adorns everything from Billions to The Paper Chase, this series has a greyed-out London look and an icy tint to its photography. It depicts a city that’s hard and unforgiving, where if market misfortune doesn’t destroy you, your bosses and competitors surely will.
And yet it also feels fresh and vibrant, thanks to the appealing cast led by Jesse Duplass’ mercurial billionaire Harper and Helena Bonham Carter’s no-nonsense head of risk Eric. These characters have a sense of purpose that’s hard to resist, even when they’re acting like spoiled brats or getting ripped off by their clients. This season, the show continues to explore sex and power reversals as it nails post-lockdown anxiety, satirizes shifting workplace mores, and amplifies a certain tycoon mania.
It’s the first time I’ve seen a show depict these people as fully human, not caricatures or villains. It’s the same with the way it treats drugs, sex, and work. When it comes to sex, the young traders in Industry are not exactly the best role models — they hedonize with abandon and have little regard for their bodies or personal lives. But when it comes to the work, they’re a different story: These neophytes have no qualms about putting in long hours and hustling to prove themselves.
But it’s Bonham Carter who’s the show’s undisputed star, and she’s the perfect choice to anchor this portrait of entitled young adults in crisis. She’s a force to be reckoned with, but she doesn’t shy away from showing how vulnerable she can be when her confidence is shaken.
In the end, what separates Industry from its ilk is its ability to convey the anxieties and insecurities that can make or break a career. It’s a series to watch for the money, but the people on display could be any of us. And for that, it deserves a recommendation. Besides the sex and drugs, Industry is worth it for its smartly written characters, expertly delivered performances, and gripping pace.